Thứ bảy, 15/06/2024
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Câu hỏi:

27/08/2021 248

Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965)  called thus the “liberation of sound…the right to make music with any and all sounds.” Electronic music, for example – made with the aid of computers, synthesizers, and electronic instruments – may include sounds that in the past would not have been considered musical.

          Enviromental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments. A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional persussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music – tom-toms, bongos, slapsticks, maracas – are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non-Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters – closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

The passage suggests that Edgard Varese is an example of a composer who ________ .

A. criticized electronic music as too noise like

B. modified sonic of the electronic instrumets he used in his music

C. believed that any sound could be used in music

Đáp án chính xác

D. wrote music with enviromental themes

Trả lời:

verified Giải bởi qa.haylamdo.com

Đáp án C.

Key words: Edgard Varese, composer.

Clue: “Composer Edgard Varese (1883-1965) called thus the “liveration of sound….the right to make music with any and all sounds”:  Nhà soạn nhạc Edgard Varese (1883-1965), vì vậy gọi là “sự giải phóng âm thanh…cái quyền để tạo nên âm nhạc với bất cứ loại âm thanh nào”.

          A. criticized electronic music as too noiselike: Chỉ trích nhạc điện tử là thứ giống như tiếng ồn. Sai  vì không có thông tin trong bài nói về việc ông chỉ trích nhạc điện tử.

          B. modified sonic of the electronic instruments he used in his music: giảm nhẹ âm thanh của thiết bị điện tử ông dùng trong âm nhạc. Sai  vì không có thông tin trong bài.

          C. believed that any sound could be used in music: Tin rằng bất cứ âm thanh nào cũng có thể được dùng trong âm nhạc. Đúng, tham khảo clue.

          D. wrote music with enviromental themes: Viết nhạc dựa trên nền tự nhiên. Sai vì không có thông tin trong bài nói về nguồn gốc các bài nhạc của ông.

Câu trả lời này có hữu ích không?

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CÂU HỎI HOT CÙNG CHỦ ĐỀ

Câu 1:

Mark the letter A,B,C or D on our answer sheet to indicate the underlined part that needs correction in each of the following questions.

Lasers are of great value in areas such as communication, industry, medicines and scientific research.

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Câu 2:

Mark the following passage and make the letter A,B,C or D on your answer sheet to indicate the correct answer to each of the question

Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965)  called thus the “liberation of sound…the right to make music with any and all sounds.” Electronic music, for example – made with the aid of computers, synthesizers, and electronic instruments – may include sounds that in the past would not have been considered musical.

          Enviromental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments. A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional persussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music – tom-toms, bongos, slapsticks, maracas – are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non-Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters – closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

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Câu 3:

Mark the letter A,B,C or D on your answer sheet to indicate the correct answer to each of the following questions.

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Câu 4:

Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965)  called thus the “liberation of sound…the right to make music with any and all sounds.” Electronic music, for example – made with the aid of computers, synthesizers, and electronic instruments – may include sounds that in the past would not have been considered musical.

          Enviromental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments. A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional persussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music – tom-toms, bongos, slapsticks, maracas – are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non-Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters – closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

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Câu 5:

Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965)  called thus the “liberation of sound…the right to make music with any and all sounds.” Electronic music, for example – made with the aid of computers, synthesizers, and electronic instruments – may include sounds that in the past would not have been considered musical.

          Enviromental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments. A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional persussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music – tom-toms, bongos, slapsticks, maracas – are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non-Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters – closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

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Câu 6:

Mark the letter A,B,C or D on your answer sheet to indicate the sentence that is closet in meaning to each of the following questions.

Their parents gave them permission to get married.

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Câu 7:

Mark the letter A,B,C or D on our answer sheet to indicate the underlined part that needs correction in each of the following questions.

Alike oxygen, which is chemically changed by our bodies into carbon dioxide, nitrogen is  merely exhaled back into the air.

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Câu 8:

Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965)  called thus the “liberation of sound…the right to make music with any and all sounds.” Electronic music, for example – made with the aid of computers, synthesizers, and electronic instruments – may include sounds that in the past would not have been considered musical.

          Enviromental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments. A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional persussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music – tom-toms, bongos, slapsticks, maracas – are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non-Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters – closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

In paragraph 3, the author mentions diagrams as an example of a new way to ________.

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Câu 9:

Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965)  called thus the “liberation of sound…the right to make music with any and all sounds.” Electronic music, for example – made with the aid of computers, synthesizers, and electronic instruments – may include sounds that in the past would not have been considered musical.

          Enviromental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments. A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional persussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music – tom-toms, bongos, slapsticks, maracas – are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non-Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters – closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

The word “it” in line 11 refers to ________.

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Câu 10:

Mark the letter A,B,C or D on your answer sheet to indicate the correct answer to each of the following questions.

Yuki and Hana are having a free afternoon. Yuki is inviting Hana to see a new movie with him.

Yuki: “Do you feel like going to the cinema this afternoon?”

Hana: : ________.”

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Câu 11:

Many parents believe that they should begin to teach their children to read when they are slightly more than todders. This is fine if the child shows a real interest but forcing a child could be counter-productive if she isn’t ready. Wise parents will have a (23) ________ attitude and take the lead from their child. What they should provide is a selection of (24) ________ toys, books and other activities. Nowadays there is plenty of good mterial available for young children, and of course, seeing plenty of books in use about the house will also encourage them to read.

          Of course, books are no longer the only source of stories and information. There is also a huge range of videos, (25) ________ can reinfore and extend the pleasure a child finds in a book and are (26) ________ valuable in helping to increase vocabulary and concentration. Television gets a bad review as far as cildren are concerned, mainly because too many spend too much time watching programs not intended for ther age group. Too many television programs induce an incurious, uncritical attitude that is going to make learning much more difficult. However, (27) ________ viewing of programs designed for young children can be useful. Just as adults enjoy reading a book seeing it serialised on television, so children will pounce on books which feature their favourite television characters, and videos can add a new dimension to a story known from a book.

Điền ô số 27

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Câu 12:

Mark the letter A,B,C or D on your answer sheet to indicate the correct answer to each of the following questions.

The sports event was ________ and successfully organized.

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Câu 13:

Mark the letter A,B,C or D on your answer sheet to indicate the correct answer to each of the followingquestions.

Unlike the other Asian states, Singapore has hardly any raw materials, ________

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Câu 14:

Mark the letter A,B,C or D on your answer sheet to indicate the correct answer to each of the followingquestions.

He was so mean that he could not bear to ________ the smallest sum of money for the charity appeal.

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Câu 15:

Mark the letter A, B, C or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions

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